20211014-1_720pmp4 Now
On that Tuesday in October, the world hadn’t ended, but for Elias, it had shifted. This was the last video he’d taken before the "Great Migration"—the day his family packed three suitcases and left the coast for good.
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In the background of the video, you can hear his sister laughing off-camera, arguing about which playlist to start for the twelve-hour drive. The camera pans slightly, catching a glimpse of the empty living room, the pale squares on the walls where pictures used to hang. "Are you recording?" her voice cracks through the speakers. On that Tuesday in October, the world hadn’t
The video is only forty-two seconds long. It ends abruptly when a car horn honks outside. For years, Elias thought he’d lost this clip. Seeing it now, the date—October 14th—felt less like a timestamp and more like a bridge. He wasn’t looking at a file; he was looking at the exact moment his old life became his past. In the background of the video, you can
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Andy Merrifield on cities and parasites at the Antipode foundation.
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Merrifield at his best (as usual)
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See also Andy Merrifield on Manuel Castells’ (1977) The Urban Question and his own (2014) The New Urban Question – “the urban as an accumulation strategy and seat of resistance“