с 10:00 до 20:00 ежедневно

Information on where to the Criterion Collection restoration.

: Despite the initial suppression, it won the FIPRESCI Prize at the 1969 Cannes Film Festival . It consistently appears on "Greatest Films of All Time" lists, such as those curated by Sight & Sound .

: A color montage of Rublev's surviving masterpieces. If you’re looking for more details, I can help you with: Specific historical contexts of the 15th century. An analysis of Tarkovsky's cinematography techniques .

: Tarkovsky uses long takes, sweeping camera movements, and a stark black-and-white palette (switching to color only for the final montage of Rublev's actual icons) to create a meditative, immersive experience.

The film is a loosely biographical account of the life of , the 15th-century Russian icon painter. Rather than a traditional linear narrative, it is structured as a series of eight chapters (plus a prologue and epilogue) that depict various episodes in Rublev's life against the backdrop of a turbulent period in Russian history, marked by Tartar invasions and internal strife. Key Themes and Style

: Rublev's encounter with a doomed traveling performer.

Andrei Rubljow (1966).mp4 Apr 2026

Information on where to the Criterion Collection restoration.

: Despite the initial suppression, it won the FIPRESCI Prize at the 1969 Cannes Film Festival . It consistently appears on "Greatest Films of All Time" lists, such as those curated by Sight & Sound . Andrei Rubljow (1966).mp4

: A color montage of Rublev's surviving masterpieces. If you’re looking for more details, I can help you with: Specific historical contexts of the 15th century. An analysis of Tarkovsky's cinematography techniques . Information on where to the Criterion Collection restoration

: Tarkovsky uses long takes, sweeping camera movements, and a stark black-and-white palette (switching to color only for the final montage of Rublev's actual icons) to create a meditative, immersive experience. : A color montage of Rublev's surviving masterpieces

The film is a loosely biographical account of the life of , the 15th-century Russian icon painter. Rather than a traditional linear narrative, it is structured as a series of eight chapters (plus a prologue and epilogue) that depict various episodes in Rublev's life against the backdrop of a turbulent period in Russian history, marked by Tartar invasions and internal strife. Key Themes and Style

: Rublev's encounter with a doomed traveling performer.