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Debbie Harry's performance is often described as high-intensity, with some reviewers noting she goes "full werewolf" and delivers one of the most infectious singalong choruses ever written.
It is praised for its "immaculately designed engineering," blending Moroder’s European electronic precision with Blondie's American punk muscle. Blondie - Call me
It spent six weeks at #1 on the Billboard Hot 100, becoming the biggest-selling single of 1980. “It’s a pretty straightforward rocker, but a great
“It’s a pretty straightforward rocker, but a great vocal performance from Debbie and one of the most infectious singalong choruses ever written make it a classic.” Rate Your Music “It’s a pretty straightforward rocker
Modern audiences and community reviewers continue to celebrate the track for its "dramatic 80s new wave pop bliss".
Blondie's is widely considered a high-water mark of 1980s pop, serving as a masterclass in the "sleazy neon future" of new wave . Released in February 1980 as the theme for the film American Gigolo , it is a high-octane collaboration between the band and Italian disco visionary Giorgio Moroder . Critical Consensus
Experience the enduring energy and critical analysis of this 1980s powerhouse through these modern reactions and deep dives:
Debbie Harry's performance is often described as high-intensity, with some reviewers noting she goes "full werewolf" and delivers one of the most infectious singalong choruses ever written.
It is praised for its "immaculately designed engineering," blending Moroder’s European electronic precision with Blondie's American punk muscle.
It spent six weeks at #1 on the Billboard Hot 100, becoming the biggest-selling single of 1980.
“It’s a pretty straightforward rocker, but a great vocal performance from Debbie and one of the most infectious singalong choruses ever written make it a classic.” Rate Your Music
Modern audiences and community reviewers continue to celebrate the track for its "dramatic 80s new wave pop bliss".
Blondie's is widely considered a high-water mark of 1980s pop, serving as a masterclass in the "sleazy neon future" of new wave . Released in February 1980 as the theme for the film American Gigolo , it is a high-octane collaboration between the band and Italian disco visionary Giorgio Moroder . Critical Consensus
Experience the enduring energy and critical analysis of this 1980s powerhouse through these modern reactions and deep dives:
