Gintama (2017) Episode 5 Apr 2026
: Reviewers from sites like MatKakashi noted that the episode finally answers why Sakamoto uses a gun instead of a sword, highlighting his role as a protector rather than a conqueror.
: Some viewers found the "hacker" sci-fi elements—specifically Hankai’s nano-machines and tentacle-based system hijacking—to be a bit far-fetched, even by Gintama standards.
: The episode concludes with a significant cliffhanger—the long-awaited awakening of Shinsuke Takasugi , signaling a shift in the battle’s momentum. Critical Reception Gintama (2017) Episode 5
This episode centers on , the typically goofball leader of the Kaientai, as he and Mutsu face off against Uranus Hankai of the Harusame's Three Mad Stars. While Sakamoto is often sidelined for comic relief, "The Two Fools" provides a rare, earnest look at his philosophy as a leader. Simultaneously, Gintoki confronts the second "Mad Star," Pluto Batou, while Kagura attempts to intervene in the escalating family feud between her father, Umibozu, and her brother, Kamui. Key Highlights & Themes
: Despite the intensity of the arc, the episode features classic Gintama comedy, such as Gintoki’s hilarious encounter with "Eye Guy" and the introduction of "Pakuyasha". : Reviewers from sites like MatKakashi noted that
Fans on Reddit and IMDb generally rate this as a high-tier episode, particularly for its ability to bridge the gap between "Stupid Sakamoto" and "Legendary Joui Sakamoto" while maintaining the "Takasugi Hype".
The fifth episode of the 2017 Gintama series, titled is a standout chapter in the Rakuyo Battle Arc that masterfully balances high-stakes character development with the series' signature absurdist comedy . Plot Overview Critical Reception This episode centers on , the
: Critics praised the episode for its efficient pacing, successfully concluding the Sakamoto/Hankai subplot without it feeling rushed. The character writing for Nobu Nobu and Sakamoto is frequently cited as a "masterclass" in turning minor or unlikable characters into compelling ones.