: He teaches a framework for transforming basic progressions (like a standard 2-5-1) into "Gospel-feeling" movements by adding passing chords and phrases that bridge the primary harmonic pillars.
: Shift specific notes within a melody by an octave to add variation without losing the theme. master_class_with_cory_henry_on_harmony
: Use trills and runs that mimic the human voice to make melodic lines more "singable" and expressive. : He teaches a framework for transforming basic
: Harmonic choices should vary based on location and atmosphere. For example, in a "high worship" setting, Henry suggests staying closer to the original composition to maintain unity, whereas solo performances allow for more experimental stretching. : Harmonic choices should vary based on location
: Henry often omits the root note from his hand voicings, especially when a bass player is present. He utilizes guide tones (3rds and 7ths) in the left hand and color tones (extensions like 9, #11, 13) in the right hand to create a sophisticated sound.
: Before introducing personal harmonic variations, always state the original melody clearly so the audience can recognize the song's foundation.
: View harmony as a way to document your current feeling or inspiration in the moment. Key Technical Concepts