: Shot on 35mm film (Kodak Vision2) using an anamorphic process, it maintains a native 2.35:1 widescreen aspect ratio —a hallmarks of the "Scope" thrillers of that time.
: The film heavily employs split-screen effects and multi-dynamic image techniques (popularized by films like The Thomas Crown Affair ) to display several panes of action at once. OSS 117: Lost in Rio image
: To capture the feel of 1967, driving scenes use intentionally obvious rear projection , and camera movements are kept simple to avoid modern Steadicam or crane looks. : Shot on 35mm film (Kodak Vision2) using