He picked up a pen and flipped to the final blank page of the ledger. He didn't write about what he had found. Instead, he wrote a single line for the year to come: 2022: The search for the missing pieces begins tomorrow.
But the crown jewel of the 2021 additions arrived in November. It was an original, hand-annotated map of the Orient Express route, dated 1928. It had cost him a small fortune and three months of haggling with a stubborn dealer in Istanbul. When he finally unrolled it on his desk, the smell of salt and coal smoke seemed to rise from the vellum.
The first entry, dated January 12th, was a rare 19th-century "Vignette de transport"—a tiny, gummed label used by a defunct Parisian courier service. He remembered the thrill of the auction, the way his heart hammered against his ribs as the timer ticked down. To anyone else, it was a scrap of blue paper. To Renaud, it was a ghost of a conversation held a hundred and fifty years ago.
As December’s frost patterned the windows, Renaud sat back in his armchair, a glass of amber cognac in hand. His collection wasn't about the objects themselves, he realized. It was about the hunt, the preservation, and the defiant act of keeping the past alive in a world that only cared about the "now."
The scent of old paper and stale tobacco hung heavy in the room, a familiar perfume that Renaud inhaled like oxygen. 2021 had been a year of quiet revolution for his shelves. While the world outside wrestled with lockdowns and uncertainty, Renaud had retreated into the sanctuary of his collection—a curated history of things that others had forgotten.
He pulled a heavy, leather-bound ledger from the mahogany cabinet. This wasn't just a catalogue; it was the map of his obsession. Ma Collection 2021 .
He picked up a pen and flipped to the final blank page of the ledger. He didn't write about what he had found. Instead, he wrote a single line for the year to come: 2022: The search for the missing pieces begins tomorrow.
But the crown jewel of the 2021 additions arrived in November. It was an original, hand-annotated map of the Orient Express route, dated 1928. It had cost him a small fortune and three months of haggling with a stubborn dealer in Istanbul. When he finally unrolled it on his desk, the smell of salt and coal smoke seemed to rise from the vellum.
The first entry, dated January 12th, was a rare 19th-century "Vignette de transport"—a tiny, gummed label used by a defunct Parisian courier service. He remembered the thrill of the auction, the way his heart hammered against his ribs as the timer ticked down. To anyone else, it was a scrap of blue paper. To Renaud, it was a ghost of a conversation held a hundred and fifty years ago.
As December’s frost patterned the windows, Renaud sat back in his armchair, a glass of amber cognac in hand. His collection wasn't about the objects themselves, he realized. It was about the hunt, the preservation, and the defiant act of keeping the past alive in a world that only cared about the "now."
The scent of old paper and stale tobacco hung heavy in the room, a familiar perfume that Renaud inhaled like oxygen. 2021 had been a year of quiet revolution for his shelves. While the world outside wrestled with lockdowns and uncertainty, Renaud had retreated into the sanctuary of his collection—a curated history of things that others had forgotten.
He pulled a heavy, leather-bound ledger from the mahogany cabinet. This wasn't just a catalogue; it was the map of his obsession. Ma Collection 2021 .
It is quite different. The All Films 5 is not a replacement for All Films 4, it's just a new tool based on the new underlaying principles and featuring a range of updated and refined film looks. Among its distinctive features are:
– New film looks (best film stocks, new flavours)
– Fully profile-based design
– 4 different strengths for each look
– Dedicated styles for Nikon & Sony and Fujifilm cameras
Yes. As long as your camera model is supported by your version of Capture One.
Yes. But you'll need to manually set your Fujifilm RAW curve to "Film Standard" prior to applying a style. Otherwise the style will take no effect.
It works very well for jpegs. The product includes dedicated styles profiled for jpeg/tiff images.
This product delivers some of the most beautiful and sophisticated film looks out there. However it has its limitations too:
1. You can't apply All Films 5 styles to Capture One layers. Because the product is based on ICC profiles, and Capture One does not allow applying ICC profiles to layers.
2. Unlike the Lightroom version, this product won't smartly prevent your highlights from clipping. So you have to take care of your highlights yourself, ideally by getting things right in camera.
3. When working with Fujifilm RAW, you'll need to set your curve to Film Standard prior to applying these styles. Otherwise the styles may take no effect.
1. Adobe Lightroom and Capture One versions of our products are sold separately in order to sustain our work. The exact product features may vary between the Adobe and Capture One versions, please check the product pages for full details. Some minor variation in the visual output between the two may occur, that's due to fundamental differences between the Adobe and Phase One rendering engines.
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2. Film look generations are basically major revisions of our entire film library. Sometimes we have to rebuild our whole library of digital tools from the ground to address new technological opportunities or simply make it much better.